Gear for Stages the Size of a Pool Table
\nMost small-stage problems aren't solved by buying more. They get solved by leaving things in the van. A four-piece wedged in beside a pub fireplace doesn't need a louder PA — it needs a plan for where the sub goes, who carries the monitor, and how quickly the floor gets cleared before the kitchen closes.
\nCompact Rigs, Honestly Sized
\nThe rig that fits a tasting room still has to hold a Friday crowd in a neighbourhood pub. What travels well between them is restraint:
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- A powered 12 on a short stand, aimed at the back wall, beats a stack nobody on stage can hear \n
- One sub tucked against a solid wall does more for a dance floor than two arguing with the room \n
- Saved mixer scenes let the winery set and the pub set start from the same baseline instead of from scratch \n
Load-In, In Order
\nWalk the room before you carry anything. Then power and cable runs, then drums, then amps, then the PA last, so nothing blocks the path you'll be dragging a floor tom down at one in the morning.
\nWhat the Checklist Is Really For
\nIt buys back the twenty minutes before doors when you'd rather be tuning than hunting for a lost XLR. None of it is glamorous. All of it is the difference between a tight set and a tense one.
\nPacking for a specific room? Tell us the venue and we'll help you trim the list down to what that stage actually needs.
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